It’s easy to take a look at my iTunes and stereotype me as a typical white country-boy with delusions of the ghetto. Whether it’s the frequency of seeing artists with “Young” in the name (Young Thug, Young Gangsta, Young Jeezy, Young Dro, Young Roddy) or the overwhelming prevalence of ebonics in the song titles (“Mo Money Mo Problems,” “Ova Da Wudz,” “Workin Em”) or perhaps it’s just the effortlessness at finding numerals in the album titles (Dedication 2, Thug Motivation 103: Hustlerz Ambition, Hunger for More 2, Only Built 4 Cuban Linx), it’s clear I have a deep well of interest in hip-hop culture and music.

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